Coup d'eye with S. Rubini, R. Scamarcio, V. Puccini

C olpo an eye, directed by Sergio Rubini, who, along with Carla Cavalluzzi and Angelo Pasquini is also screenwriter, was released in cinemas on March 20. It 'a film set in the world of art, but could be set in another context. The purpose of rubies, is, in fact, to tell the story of a relationship of antagonism between a young, impulsive artist and in need of confirmation and a man, rational, an intellectual with a few more years, who have been removed affections more expensive, and among them a woman, object of desire of both character with a fragile and complicated.

Initially, the director wanted ambientare the film in the world of music, but being Sergio Rubini a person open to dialogue with the actors who chooses for his films, listened to the opinion of Riccardo Scamarcio, who since the painter mother thought it to the world art.

Since the first scene the four protagonists of the film are in front of the movie camera: Gloria played by Vittoria Puccini, a young art historian in search of his artist, Peter Lulli, (Sergio Rubini) famous art critic, Adrian Scala (Riccardo Scamarcio) young sculptor to his first exhibition in a collective, and works by Gianni Dessì. It works because Adrian is not a scene "pretend" mounted for the film, but are works created specifically by the artist Gianni Dessì, who did also curator for the exhibition of the works themselves.

Adrian and Gloria after their first meeting occurred in an art gallery start to frequentarsi and between their sudden bursts and passionate, love, Gloria for Adrian becomes companion, inspiring muse, as well as agent. Adrian is full of creative energy, nothing seems hinder the happiness of the young couple, who decides to have even a child.

Peter Lulli former boyfriend of Gloria seems to have accused good shot, so well from interest in the works of Adrian.

Not everything is what it seems, Gloria and Adrian are just puppets in the hands of Lulli, which for revenge on both disorienting them manipulates them up to make the one against the other.

The film is very obviously played and it is no coincidence, on the eyes, the ones Gloria are restless, febbricitanti, preveggenti, reflect the anxiety that permeates all the character, the very good Puccini, the interpretation. Those of Lulli sad, knowing, tough, sarcastici, triumphant, depending on the stage of the film. Those of Adrian, happy, when d ell'innamoramento worried, in allucinati period of the loss. All three characters is as if walking, indeed corressero on the brink of a precipice, the dialogues are sometimes more sweet sometimes more harsh, but always in tension.

Without revealing the ending absolutely want to highlight a scene set in ancient theatre of Ostia where Riccardo Scamarcio emerge from a sottopedana placed at the centre of the theatre like gladiators, in fact Adrian as the gladiators were forced to fight until the stremo forces from eminenze of grey, it also brought him controvoglia to fight a battle bigger than him.

Adrian throughout the film scolpisce only white matter, except a work that has a point of red necessarily wanted by Lulli, and the same point of red on white that will be in a graphic image the first government bond tail.

The film was shot between Rome, Berlin, Venice (inside a pavilion of the Biennale), the Abbruzzo, and Ostia old.

Coup d'eye as recalls Scamarcio narrates the relationship between the artist wants to express himself, his poetic and obstacles that may have.

Riccardo Scamarcio to prepare for the role is not easy Adrian was in close contact with Gianni Dessì, has spent two weeks with him in his studio art, before the film, in this period Dessì has provided valuable maximum of art to deepen his character, and then worked with him physically. With the character of the young actor Adrian Pugliese was finally cleared through customs by clichèt actor for adolescents, a process that was already well underway with the interpretation of Manrico, next to the great Elio Germano, My brother is the son single Luchetti.

Even the ratio of Vittoria Puccini with art has roots far the father of Victoria, was Sovraintendente to artistic Florence, and the actress herself is an assiduous frequentatrice of art exhibitions.

A film well congeniato by Rubini noir in a crescendo, a story where even if there is a bad, is not told that the viewer is on the side of good.

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